top of page

kind words

"The standout is Chris Jenkins’ Riley, Britain’s answer to Patrick from Schitt’s Creek. Sweet, dopey and exuding big ‘cool dad at a barbecue’ energy, Jenkins is nonetheless able to put himself through the wringer in the more emotional scenes.”

- Rory Howes, TheatreWeekly.com

​

“Chris Jenkins plays Christopher Baldry with a raw realism, switching from euphoria to traumatised bewilderment with startling ease. He is a man on the edge for a lot of the time but he has a quiet dignity. I found Chris to be extremely convincing"

- Nicky Lambert, NorthWestEnd.co.uk

​

"Another highlight was Langford’s duet with Chris Jenkins, ‘A Song That Goes Like This’.... Langford and Jenkins gave the audience a master class in how to perform a comedy number."

- Andrew Tomlins, LondonTheatreDirect.com

 

"Best of all, Jenkins gives us an engaging, dynamic Jonathan who we can almost see thinking: he credibly conveys the chronic self-absorption, puppy-like enthusiasm and even the periodic despair of the artist, yet is never less than relatable. His vocals also rise to the challenges of Larson's thrilling but demanding score. He is a knockout."

- Alun Hood, Whatsonstage.com

​

"Chris Jenkins displayed real depth as he explored his character's journey, as well as being a talented singer and dancer."

- Catherine Paskell, National Theatre of Wales

 

“Upper-crust Captain Chris Baldry’s (a perfectly cast Chris Jenkins)... fragile ego disintegrates and his love for the 'dowdy' Margaret gains manifest intensity. Chris Jenkins tears away at Baldry's masculinity touchingly and convincingly; curling up, foetus-like, both literally and metaphorically. 

- Mandy Martinez, Whatsonstage.com

 

"Chris Jenkins lends a virile animal magnetism to the role of Larry Foreman, the young union leader who knows he has the winds of change on his side."

- Paul Taylor, The Independent

 

"Chris Jenkins gives Larry Foreman the kind of charisma that makes a people's hero."

- Howard Loxton, British Theatre Guide

reviews

The Return Of The Soldier - Hope Mill Theatre

- The Stage

Click for the review

Amy Stutz

Click for the review

- Musical Theatre Review

Click for the review

​

tick, tick...BOOM! - Park Theatre

Musical Theatre Review

Click for the review

- Whatsonstage

Click for the review 

​

The Burnt Part Boys - Park Theatre

LondonTheatre1.com
Click for the review

Jonathan Baz

Click for the review

​

Spamalot - Playhouse Theatre

- London Theatre Direct (as Galahad)

Click for the review

- West End Frame (as Galahad)

Click for the review

- There Ought To Be Clowns (as Galahad)

Click for the review

 

The Cradle Will Rock - Arcola Theatre

- Paul Taylor, The Independent

Click for the review

- Kevin Sherwin, BroadwayWorld.com

Click for the review

- Howard Loxton, British Theatre Guide

Click for the review

​

bottom of page